cruiseorbecruised:

Monica Majoli, Untitled, 1990
February 14  Andrew Campbell is an art historian and senior lecturer at Texas State University, where he teaches courses on contemporary art, feminism and visual representation, bad taste, film, and graphic novels. For Tuesday Evenings, Campbell presents one facet of his current project, Bound Together, an academic study of gay and lesbian leather communities in the 1970s. In this Valentine’s Day presentation entitled The Practice of Sex, the Work of History/ the Work of Sex, the Practice of History, Campbell–in an effort to engage in the ongoing project of writing contemporary art histories by making sense of a multitude of artists and their practice(s) as well as the expansion of historical LGBTQ visual cultures and communities that might otherwise be deemed too esoteric or stigmatized for study–presents four contemporary artists/collectives (Christian Holstad, Monica Majoli, Dean Sameshima, and A. K. Burns/A. L. Steiner) who refashion source documents from 1970s leather communities in order to comment on the politicized practices of LGBTQ love and sex in the twenty-first century.
*Audience members should note that to fully explore and present his subject, Campbell’s presentation includes mature language, themes, and subject matter.

RELEVANT.

cruiseorbecruised:

Monica Majoli, Untitled, 1990

February 14 Andrew Campbell is an art historian and senior lecturer at Texas State University, where he teaches courses on contemporary art, feminism and visual representation, bad taste, film, and graphic novels. For Tuesday Evenings, Campbell presents one facet of his current project, Bound Together, an academic study of gay and lesbian leather communities in the 1970s. In this Valentine’s Day presentation entitled The Practice of Sex, the Work of History/ the Work of Sex, the Practice of History, Campbell–in an effort to engage in the ongoing project of writing contemporary art histories by making sense of a multitude of artists and their practice(s) as well as the expansion of historical LGBTQ visual cultures and communities that might otherwise be deemed too esoteric or stigmatized for study–presents four contemporary artists/collectives (Christian Holstad, Monica Majoli, Dean Sameshima, and A. K. Burns/A. L. Steiner) who refashion source documents from 1970s leather communities in order to comment on the politicized practices of LGBTQ love and sex in the twenty-first century.

*Audience members should note that to fully explore and present his subject, Campbell’s presentation includes mature language, themes, and subject matter.

RELEVANT.

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